Wednesday, December 15, 2010
A Foodie Bibliophile in Wanderlust
FB: Having read your Silverwing series, I know that writing about animals is not new territory for you, but Silverwing was a fantasy and Half Brother is a realistic fiction. What inspired you to write about this topic?
Kenneth Oppel: Half Brother was inspired by a couple of famous experiments that took place in the early 1970’s, in which scientists tried to teach chimpanzees sign language: Project Nim and Project Washoe. The experiments were very controversial –their results are still disputed to this day – and when Project Nim ended after two years, Nim was abruptly stripped of his human identity, his clothes and toys and favourite foods, separated from the people he’d come to think of as mothers and fathers and siblings, and shipped off to another primate research institute where no one understood the signs he’d learned. I thought it was an incredibly sad story.
FB: What type of research process was involved in writing a novel about chimpanzees and language acquisition?
KO: I read as much as I could about the two real chimp experiments in the 1970’s: Project Nim and Project Washoe. Often, the people who were involved in these experiments went on to write books about their experiences – and their stories are fascinating. In some ways, the events are much stranger than anything I could invent from my imagination!
I wanted to know as much as possible about baby chimps, and how they were raised both in the wild, and by humans. I learned a little sign language. I watched films about chimpanzees and how they’ve been used and abused by humans for the purposes of human advancement, like the NASA space program, or for drug testing. I visited a chimpanzee sanctuary outside Montreal called the Fauna Foundation, which is a wonderful home for chimps who were once used in biomedical experiments, or in the entertainment industry, and became too old or ill to be of any further “use” to their human hosts.
FB: One of the things that struck me about Half Brother was how the reader gets so emotionally involved in the story from the very first chapter. The relationship between Zan and Ben was so touching. Was this something you had to consciously figure out, or did it flow naturally from the beginning?
KO: I found it a very emotional story to write, in part because I chose to set the story in the place and (rough) time period of my own childhood. So though Ben is not really much like me, I certainly drew from some aspects of myself when creating him. That, in combination with just how innately emotional the subject matter is, made for a very intimate, intense story.
FB: I loved that you wrote a book on such a volatile topic but didn’t forcefully spew a specific ideology down the reader’s throat. You appeared to address many different points-of-view in a neutral, "I want the reader to think for himself" sort of tone. Having said that, what were you hoping to get across to the reader in this book and what are you hoping readers will take away from reading it?
KO: Certainly I was interested in the controversial animal rights issues inherent in the story –but equally fascinating to me were the human dynamics of the story. Imagine, as a teenager, being told to treat a chimp like a baby brother, while never forgetting that it was also a lab specimen. Imagine watching your mother and father indulge in a bizarre form of parenting – one in which the baby was nurtured, but also emotionally manipulated, and ultimately coerced into performing. To the father, the baby is only of value as long as it gives him what he needs. But is human parenting -- or human relationships in general -- so very different? The more I worked on Half Brother, the more it seemed to me the story was really about love in all its possible forms – how and why we decide to bestow it, or withdraw it; how we decide what is more worthy of being loved, and what is less. We are masters of conditional love.
FB: I read on your website that you majored in English and cinema studies. Is that academic background what has helped make your novels feel so cinematic? I feel like the books of yours that I’ve read would translate so well on the big screen (Silverwing I think would make a fantastic animated feature).
KO: My story-telling style was probably formed long before I went to university, by a mixture of my favourite authors (Roald Dahl first and foremost) and my favorite movies (Star Wars, Jaws, Raiders of the Lost Ark, Blade Runner). When I write, I really do approach the story visually in that I imagine distinct scenes, and my job is to be lighting designer, set designer, choreographer, sound designer, writer and director all rolled into one! It’s quite exhausting.
FB: Do you have any interesting or quirky writing habits?
KO: Not really. I have a shamefully short attention span, so am easily distracted by the current weather conditions in Cairo, or how much money Iron Man II made domestically, or other unimportant bits of Internet destritus. I listen to music when I write and since I’ve never really listened to lyrics, it doesn’t get in my way.
FB: Who is your favorite character in all the books you’ve written? Which of your characters is most like you?
KO: Kate de Vries is a personal favourite. Most like me? Well, there’s a bit of me in each and every one, but I’ll let you wonder about which parts.
I would like to thank Kenneth Oppel for stopping by A Foodie Bibliophile in Wanderlust. Half Brother was by far one of the best books of 2010 so go out and get it if you haven't read it!
Wednesday, November 10, 2010
He went on to make a fabulous presentation about his six months aboard the ISS. I was filled with awe and admiration for the demanding and varied work the astronauts do aboard station.
Note my dynamic hand movements below!
Wednesday, October 27, 2010
Wednesday, October 20, 2010
HALF BROTHER will be published in January in the United Kingdom by the fabulous David Fickling Books, which brought the world The Curious Incident of the Dog in the Night-Time, and The Boy in the Striped Pajamas. Even though my pub date is a few months away, we just got this advance review in the Bookseller magazine. I love it when this happens...
‘Kenneth Oppel’s standalone novel for young adults, HALF BROTHER, is a compulsively readable, extraordinarily gripping and moving book. Thirteen-year-old Ben’s world is turned upside down when his research scientist parents adopt a newborn chimp into the family to raise as a human child in an experiment to see if they can teach it to communicate using language. This is a meticulously researched book and the development of the experiment is very absorbing, but it’s Oppel’s ability to realise the complexity of Ben’s emotions towards his ‘half brother’ which makes it a triumph.’
--Lindsey Stainer, Blackwell’s, in The Bookseller, 15 Oct 2010
Monday, October 18, 2010
Next stop was Chicago (Naperville ) where the wonderful independent bookstore, Andersons was holding its 7th annual YA literature conference for over 300 teacher-librarians. I was one of the featured speakers, and sat on a couple of panels with Pam Munoz Ryan (her new book is called The Dreamer) and Brue Balliet (whose latest is The Danger Box). I got a chance to meet up with my editor (and fellow writer) David Levithan, and meet John Green (Will Grayson Will Grayson), and Charles Benoit who's written his first YA novel called You.
After that it was back to Toronto for Word on the Street, where I read at the Scotiabank Bestsellers Tent, and promptly boarded a plane and went to Houston for four days of school visits, and then on to the Austin Teen Book Festival.
It was my first time in Austin and it was a very pleasant surprise-- a vibrant city filled with music bars and restaurants -- and sidewalks! And people on them! Bikes, the headquarters for Whole Foods, and a fabulous independent store called BookPeople. There is also the Congress Avenue bridge which is home to 1,5 million bats. Supposedly they all swoop up into the sky at dusk, like an image from the Apocalypse-- I'd heard all about this while researching Silverwing over a decade ago. So naturally I went down to wait on the bridge with hundreds of other hopeful bat watchers and after an hour of waiting we were rewarded with -- nothing. The bats were a no show. I blame the easy availability of fast food.
Wednesday, October 13, 2010
The Montreal Gazette
Kenneth Oppel wanted to write a book for teens about chimpanzees - specifically about chimpanzees who were raised as humans in the 1960s and 1970s and taught sign language to communicate.
And he wanted to write about what happened to these chimpanzees when they were no longer cute babies and became too large to follow household rules.
The book is called Half Brother (HarperCollins), and the Governor General's Award-winning author did part of his research at the Fauna Foundation, a sanctuary for abused animals located just outside Chambly in the Monteregie region.
The sanctuary is home to 12 adult chimpanzees, most of whom were rescued from biomedical facilities.
"It was a really energizing trip," Toronto-based Oppel said of his visit to the Fauna sanctuary in 2008. "I learned so much about how chimpanzees behave in captivity, how they assert their domination.
"I was struck by their power and the power of their scent. You feel respectful. Some of them came close to have a look at me, and one tossed a green pepper at me."
There are about 600 chimpanzees in sanctuaries in the United States alone. Some of them worked in the entertainment industry, others were raised as pets, others came from zoos or were the offspring of chimpanzees used way back for space-travel experiments. Many come from biomedical facilities.
All chimps come to sanctuaries as damaged goods -traumatized by repeated scientific experimentation and extended periods spent in isolation and cramped quarters. Those raised by humans suffered the betrayal of being rejected and removed from familiar surroundings when they got too big or suffered from stress disorders from being forced to do tricks to entertain.
The Fauna Foundation has cared for 19 chimpanzees since veterinarian Richard Allan and Gloria Grow opened the facility in 1997. Seven chimpanzees have died. Their life expectancy is 40 to 50 years.
"It was beautiful to see how they were so loved by the staff. Gloria loves those chimps, and they don't have to do anything," Oppel said. "That is a great achievement because we all put conditions on how we love each other. That's an uncomfortable truth about human relationships."
Oppel had been kicking around the idea of writing a book about great apes for 20 years. He was inspired to start writing the book after reading the obituary of Washoe, a chimpanzee who was raised by humans and taught sign language in the late 1960s. Oppel also read about Sarah, a chimp who began learning sign language as part of a behavioural experiment during the same period. She now lives at a sanctuary in Louisiana and is 47 years old.
When Washoe became too large to control, she was taken from the only family she knew and placed in unfamiliar surroundings. She was 42 years old when she died in 2007.
In Half Brother, infant chimp Zan is ripped from his mother's breast (she is tranquilized at the time) and taken into the Tomlin household to be raised as a human and taught sign language. The Tomlins' teenage son Ben grows to love Zan and becomes his protector and saviour after the Tomlins shut down the sign-language experiment and ship Zan off to a horrible "sanctuary."
Not all sanctuaries are created equal. "Just like there are good doctors and bad doctors, there are good sanctuaries and bad sanctuaries," Grow said. "At the Fauna Foundation, we try to give the chimpanzees the peace and comfort they deserve after coming from such traumatic backgrounds."
Chimpanzees are our closest genetic relative. They have definite likes and dislikes and personalities.
The chimps at the Fauna sanctuary love to paint pictures, drink tea, eat spaghetti from a bowl and play with toys and trinkets. Colourful hair "scrunchies" are a hit right now, especially with alpha male Binky, 21, who likes to wear a neoncoloured scrunchy on his upper arm. (The scrunchies are so popular, a woman in Ontario sews extra-large ones so that they don't cut off circulation in the chimps' arms.)
The staff has also designed an enrichment program for the chimps. The recently introduced construction-work theme was particularly popular. The chimps had a blast playing with the toy tools.
They have fun, but they are also prone to moods, just like us, and that's when their size and strength can come into serious play.
"One of the biggest dangers is for people to think chimpanzees can be perfect and predictable pets," Oppel said. "I was in the middle of writing Half Brother when that horrible thing happened in the United States. Chimps are not meant to be pets."
Last February, Travis, an adult male chimp weighing 230 pounds, attacked a friend of his owner, blinding her and severing her nose, ears and both hands. Travis was shot by a police officer while trying to attack another officer.
The Fauna Foundation is located on 60 hectares and includes concrete buildings and a series of specially designed islands where the chimpanzees can hang out. The buildings are locked up tight to prevent escapes, and the area is surrounded by a powerful electric fence.
"Kenneth's book is great because it captures everything about a chimp's life in captivity, and it didn't turn into the Pollyanna world of chimpanzees," Grow said. "It's educational and it's based on fact. And he's written it for exactly the right audience. I recently did some work with students from Miss Edgar's and Miss Cramp's School. They were so engaged and wrote letters to (government officials) about the unethical treatment of chimpanzees. They are the generation that will change things. They are the ones that will read Kenneth's book and then talk about why it's not right to use chimpanzees in commercials."
Grow is one of the founders of the recently established North American Primate Sanctuary Alliance, an organization dedicated to the health and survival of quality sanctuaries for abused animals.
Is the Fauna Foundation accepting new chimps? "That's hard to say right now," Grow said. "It costs a lot to care for them ($250,000 a year) and they live a long time. We have to make sure the foundation is financially secure and that there are measures in place to care for the chimpanzees after we are gone. They are here for the rest of their lives."
Half Brother is in stores now. kennethoppel.com.
For information about donating to the Fauna Foundation, faunafoundation.org.
© Copyright (c) The Montreal Gazette
Monday, September 27, 2010
Reviewed by Erika Ritter
From Saturday's Globe and Mail
Published Friday, Sep. 24, 2010
There is something particularly poignant in the plight of captive primates. Yet their similarity to us has never guaranteed them our compassion or respect – especially our closest relatives, chimpanzees. Mostly, we view them as human surrogates for cognitive studies, aeronautical experiments, invasive medical research and drug-testing, which we undertake solely for our benefit but would flinch from inflicting on ourselves. That’s when we’re not dressing these animals up as humans and laughing as they “ape” us in the circus ring or on TV.
Indeed, apart from the fortunate few who still live unmolested in the wild, chimpanzees inhabit a uniquely tragic in-between realm neither human nor strictly animal. Clearly, Kenneth Oppel gets that, right from the title of his latest young-adult novel, Half Brother, to the sober-sweet conclusion.
In previous works, such as the Silverwing and Matt Cruse series, Oppel has specialized in creating alternative realities for humans and animals. Half Brother, however, is set in a factually correct recreation of the early 1970s and modelled on real-life events. Nim Chimpsky was a chimpanzee raised from infancy in a human household and taught American Sign Language. The hope was that treating him like a human and giving him means to communicate with humans would determine that a non-human could acquire and employ language meaningfully. Ultimately, Project Nim was deemed a failure, and the poor chimp, stripped of his human clothes and celebrity status, was nearly sold to a research lab before animal advocates intervened to get him to a sanctuary.
Like Nim, Oppel’s fictional ape, Zan, comes to his human family as an infant, slated to be treated like a new baby. Unlike Nim, Zan is lucky that one member of his household becomes aware of how equivocal, perilous and ultimately untenable the position of a half-brother “adopted” for experimental purposes can be.
Ben Tomlin, our teenage narrator, is an only child initially upset because his father uprooted the family from Toronto to take up a university teaching and research post in Victoria. Rapidly, Ben’s upset turns to dismay when his mother (her husband’s research assistant) arrives at their new home with a week-old baby chimpanzee in her arms. With no more prior consultation than the animal himself received, Ben is expected to accept Zan as a sibling and to participate in the experiment of raising him and teaching him to sign.
Ben comes to love Zan and to view him as a fellow resister of adult tyranny. As both young males develop, Oppel draws comparisons between the means each finds to assert individuality and oppose authority. Ben adopts the posture of a “dominant male” in order to survive at his new school, as well as cope with his controlling father. Meanwhile, Zan begins to bristle, bare teeth and lash out when thwarted or challenged.
Despite his father’s scientific assertions and his mother’s tortured rationales, it’s clear to Ben that the chimp isn’t actually being treated like a human – not when he’s kept in a basement suite, drilled in ASL by brigades of grad students and strapped into a restraining chair if he misbehaves. It also becomes apparent that none of this is being done for the animal’s benefit. When Project Zan is shut down – for more or less the same reasons as real-life Project Nim – Ben is threatened with losing Zan to a prison-like primate facility.
Ben’s dilemma comes to parallel Jody’s in the classic novel The Yearling, by Marjorie Kinnan Rawlings. Like Jody, Ben must deal with a cuddly baby creature turned destructive adolescent, no longer able to be returned to the wild, yet no longer capable of being controlled like a domestic animal.
Oppel explores the limited options available, from the brutalities of research, to the exploitations of zoos, to the comparative humaneness of a primate sanctuary. Without ever becoming preachy, he makes the point that the initial dislocation of Zan and other members of wild species cannot ever lead to truly good outcomes.
Half Brother is fast-moving, engagingly told and smart. I hope today’s teen readers won’t be put off by its antediluvian setting in a period pre-text messages,
Facebook and cellphones, with a soundtrack by ABBA and Elton John. Actually, not much has changed for apes in North American research facilities over the past four decades, and, come to think of it, ABBA and Elton are still with us, along with Planet of the Apes movies and heated debates on animal rights.
Beyond Ben’s unique preoccupation with Zan, Oppel takes pains to give his protagonist more typically adolescent concerns. As an adult, I confess I found the teenage-angst aspects of the novel fairly run-of-the-mill. That might be the limitation of a young narrator’s perspective on his own standard-issue anxieties – as compared to his vivid accounts of his extraordinary relationship with an animal through sign language.
Ultimately, this novel is about much more than an abandoned experiment in interspecies communication. Through Ben, Oppel gracefully underscores the true value in reaching Zan: Not to profit from teaching him to perform tasks, but to grasp the world as a non-human perceives it.
Erika Ritter is the author most recently of The Dog by the Cradle, the Serpent Beneath: Some Paradoxes of Human-Animal Relationships, now available in paperback.
From Saturday's Globe and Mail
Published Friday, Sep. 24, 2010
I don’t actually spend much time here, but I really should. The book-lined room has an incredibly comfortable chair that I picked myself, a scholarly refectory table, beautiful ceiling mouldings and even an antique globe. Any self-respecting writer should be permanently ensconced here with a pipe and a glass of port.
The truth is, I read mostly on my bed, where I can sprawl out and easily go unconscious. But I hereby resolve to spend more time in my library and finish the last pages of my current read, John Updike’s Rabbit, Run.
As a teenager, I read Updike’s first short-story collection, The Same Door. A Hemingway devotee, I’d marvelled at his crystalline prose and the authenticity of his characters and scenes. Wanting more, I got a second-hand copy of Rabbit Redux, not realizing it had a predecessor (and later would have a successor). It didn’t matter: Although Updike’s prose had become more jewelled and a bit less lithe, my 16-year-old self still loved reading about Rabbit Angstrom and his incredibly weird and smutty life.
But for some reason, though I’ve read and admired many of Updike’s other works, I never got around to reading the first Rabbit until now. Just before this, I devoured Mordecai Richler’s The Apprenticeship of Duddy Kravitz – another grievous omission in my reading life. Like Rabbit, Run, it was written in the late fifties, by a writer in his mid-20s – but the heroes, though both careening, are polar opposites. Duddy is all manic action; Rabbit, a study in passivity. Richler’s novel bursts with energy; Updike’s offers a more sedate, penetrating character study.
I love Updike, but I’ve got to say, Duddy Kravitz wins my vote: I like heroes with restless hearts and big passions, who make things happen.
Friday, September 10, 2010
Writing Half Brother: Love, Control, and Talking Animals
I only recently realized how fitting (and possibly ironic) it was that, after writing four bestselling “talking animal” fantasies featuring bats (the Silverwing series), I’d go on to write a realistic novel about an animal who truly did talk.
The seed for my novel Half Brother was planted in my mind over twenty years ago, but didn’t germinate until late 2007 when I came across the obituary for Washoe, an extraordinary chimpanzee who had learned over 250 words of American Sign Language.
It wasn’t the first time I’d heard about Washoe, or the radical language experiments performed on chimps in the 1960s and 70’s. As a first year undergrad at the University of Toronto, I’d read with fascination about Project Nim, in which a baby chimp was raised as a human child to determine whether chimps were capable of learning human language. Nim was dressed in diapers and clothes, he ate at a high chair, had books and toys -- and a very large surrogate human family.
At first blush, the experiment had a beguiling Doctor Dolittle charm to it – an attempt to communicate with another species in a truly meaningful way. Not nearly so charming was what happened when the experiment ended two years later – after being deemed a failure. Nim was abruptly stripped of his human identity, his clothes and toys and favourite foods, separated from the people he’d come to think of as mothers and fathers and siblings, and shipped off to another primate research institute. I found the image of Nim, looking out through the bars of a cage, incredibly sad – and I’d never considered myself someone who was sentimental about animals.
When, years later, I read Washoe’s obituary, I wondered what it would be like to write a story from a chimpanzee’s perspective. When I’d written my Silverwing series -- I’d imbued the bats with full human awareness and vocabulary. But what would it be like to try to tell a story with only the words Nim or Washoe had learned? The idea had a powerful appeal, but I decided that limiting myself to a two-hundred-and-fifty-word vocabulary – heavy on nouns, and light on verbs – would probably create something that might generously be called brave and avante-garde; or ungenerously, an unreadable mess.
Any attempt to write from an animal’s perspective inevitably involves anthropomorphization, and with Half Brother I wanted to steer clear of that. In the end I chose to tell the story through human eyes – those of Ben, a teenager whose father is a hotshot behavioural psychologist conducting a language study with a baby chimpanzee called Zan, in the family home.
Certainly I was interested in the controversial animal rights issues inherent in the story – chimps have been used and abused by humans in the entertainment industry, the US Space Program, and, perhaps most upsetting, the biomedical research industry. But equally fascinating to me were the human dynamics of the story. Imagine, as a teenager, being told to treat a chimp like a baby brother, while never forgetting that it was also a lab specimen. Imagine watching your mother and father indulge in a bizarre form of parenting – one in which the baby was nurtured, but also emotionally manipulated, and ultimately coerced into performing. To the father, the baby is only of value as long as it gives him what he needs.
But is human parenting -- or human relationships in general -- so very different? The more I worked on Half Brother, the more it seemed to me the story was really about love in all its possible forms – how and why we decide to bestow it, or withdraw it; how we decide what is more worthy of being loved, and what is less. We are masters of conditional love.
During my research for Half Brother I read numerous accounts of people who had worked with chimps and many of them, I believe, truly did love the animals, and were heart-broken when they were separated from them. One of the most moving experiences I had was visiting the Fauna Foundation, a chimp sanctuary outside Montreal, which is home to thirteen chimpanzees who have been “retired” from zoos, the entertainment industry, and biomedical research facilities. These chimps, no longer deemed “useful” by their previous owners, now have a wonderful home where they are cared for by director Gloria Grow and her staff. Some are old and ill, some are HIV positive as the result of medical research. But they no longer have to perform or deliver, and it was clear to me that they were truly and unconditionally loved.
Thursday, September 9, 2010
By Teen Editor at Indigo Books
"I am so excited to bring you this exclusive Q&A with one of my personal favourites, Canada's own Kenneth Oppel in which he talks about writing his new novel, Half Brother."
TE: How did this idea of a family adopting a chimpanzee develop for you? Were you inspired by a particular story or study that you’ve read?
KO: As a first year undergrad at the University of Toronto, I read about Project Nim, in which a baby chimp was raised as a human child to determine whether chimps were capable of learning human sign language. Nim was dressed in diapers and clothes, he ate at a high chair, had books and toys -- and a very large surrogate human family. But when the experiment ended two years later – after being deemed a failure, Nim was stripped of his human identity, his clothes and toys and favourite foods, separated from the people he’d come to think of as mothers and fathers and siblings, and shipped off to another primate research institute. I found the image of Nim, looking out through the bars of a cage, incredibly sad. It stayed with me for over twenty years.
TE: Half Brother is a bit of a departure for you from your other books, such as Airborn and Silverwing. What were some of the challenges you encountered writing it?
KO: Ironically, the subject matter of Half Brother is even more fantastical and strange than that of my earlier books, so I was quite at home! But certainly it’s a much more realistic book, and a more intimate one, so the characters and their relationships are more intricate. So I found it both challenging and invigorating, after so many fantasies in alternate worlds, to be grounded in our own.
TE: You set the novel in the early 1970s Victoria. What made you chose that particular time and place? Were you interested in pursuing some of the popular ideas around behavioural science and psychology?
KO: The real chimp language experiments that inspired Half Brother took place in the late 60s and 70s so I wanted to stay true to that time period. They were some of the first attempts to teach another species our language. Followers of the psychologist BF Skinner thought any behaviour – including language -- could be taught; followers of the linguist Noam Chomsky believed that language was intrinsic to human beings only. So these experiments were quite radical, and still controversial to this day. Also, there seemed to be such a fascination with chimps in popular culture at the time. They were everywhere on TV and in movies – namely the Planet of the Apes franchise which imagined a world in which chimps and the other great apes had evolved beyond humans. As for setting the story in Victoria, I mostly grew up there in the mid 70s to mid 80s, and I found it just gave me another way of entering tangibly into Ben’s world.
TE: I noticed that family dynamics continue to play an integral part in all of your novels, from Matt’s devotion to his mother and loss of his father in Airborne, to Dusk’s complicated relationship with his father in Darkwing. In this novel, it really all about that isn’t it? Who is the Alpha Male in the family and outside of it and what that means for Zan and Ben’s relationships?
KO: All drama is really about the dynamics between the characters – whether they’re bats, aeronauts in an alternate past, or the members of a uniquely dysfunctional family in 1970s Canada. Father-son relationships fascinate me, how a boy inevitably moves from seeing his father as impervious and all-knowing, to fallible and frail – simply human, in other words. But I think that all kids seek reassurance in dominance and power and control – boys in a more physical manifestation than girls – but every kid wants to be an alpha. Despite his ambivalence towards his father, Ben models himself after him by trying to control his environment and relationships – and the results are far from triumphant in some cases
TE: What kind of research did you do for this novel? Did you learn American Sign Language?
KO: I’d learned a bit of sign language to use with my youngest daughter, and it was amazing to see how it helped her communicate with us before words came. Then we used it simultaneous with speaking, and then the sign language just faded away as spoken language took over. My other research included reading up on all the famous chimp studies – Project Nim, Project Washoe, as well as some other accounts – including one of a scientist who lived with a chimp and truly thought of her as his daughter. I tried to learn as much as I could about chimp behaviour, especially baby chimps, and was fortunate enough to visit an amazing chimp sanctuary outside of Montreal.
TE: What do you think of the evolution of Teen/YA literature in the last five years and your place within it? Do you think that there are things you have to do differently now?
KO: Teen/YA literature definitely experiences trends like any form of literary and popular culture. Harry Potter gave us a good decade of wizardry and magic that spurred a huge general interest in fantasy which included period gothic fiction and steampunk. About five years ago the trend took a turn into contemporary gothic with Twilight, and now the shelves are groaning with books about hot vampires and werewolves and fallen angels and any other kind of paranormal creature you could wish for. I would say that trends rule the marketplace as never before – and it’s probably harder to launch books that are not considered trendy. But almost inevitably, the next great big doesn’t belong to the clique: it bravely charts its own course. No one really knows what’s going to take off, so as a writer all you can do is write the story that you fall in love in, and have to tell.
TE: Do you hope that this book raises awareness around animal cruelty and what kids can do about it?
KO: Certainly I hope that kids will take an interest in chimpanzees and the way they’ve been used and abused by humans. But the more I worked on Half Brother, the more it seemed to me the story was really about love in all its possible forms – how and why we decide to bestow it, or withdraw it; what’s worthy of being loved, and what isn’t? We are masters of conditional love. As the dominant species on the planet we have incredible power, and an incredible responsibility to treat our planet and all the creatures on it with respect and care.
TE: Abba or Zepplin?
KO: My feet say Abba, but my heart says Zeppelin.
Friday, August 27, 2010
*OPPEL, Kenneth. Half Brother. 375p. Scholastic. Sept. 2010. Tr $17.99. ISBN 978-0-545-22925-8. LC number unavailable.
Gr 7-11–Thirteen-year-old Ben Tomlin’s whole world is changing. His parents, research scientists, have moved them across Canada to be with their newest subject, Zan. Intending to prove that chimpanzees are capable of intelligent thought and communication, the Tomlins teach the baby chimp sign language and incorporate him into their daily lives. Thrust into a new school and, essentially, a new family, Ben is caught in a whirl of new emotions, especially when the lovely Jennifer comes onto the scene. Though Zan learns sign language relatively well, his animal instincts gradually become more pronounced and Ben and his parents must make some important decisions about the chimp’s future. Oppel has taken a fascinating subject and molded it into a top-notch read. Deftly integrating family dynamics, animal-rights issues, and the painful lessons of growing up, Half Brother draws readers in from the beginning and doesn’t let go. The carefully crafted characters will be an easy connection for teens and the interpretation of the animal-testing controversies of the 1970s will provide an alternate viewpoint for animal-book lovers.– Sara Saxton, Tuzzy Consortium Library, Barrow, AK
Wednesday, July 21, 2010
But the fact is, I have to wait a long, long time before I start seeing magazine reviews of the book, and hearing back from my readers. Fortunately, so I don't go insane, I'm busy with other things, namely writing a whole new book -- but it is a bit agonizing to have to wait so long before I know what people think of the one that's about to be published.
Luckily, over the past weeks, I've started getting some early feedback from people who have read advanced readers copies (ARCs) of Half Brother.
As publication day fast approaches (September 1st) I thought I'd share some of these early comments here on my blog. They are from a wide variety of people across North America: teachers, librarians, university instructors, and teenaged fans of my earlier books.
So here's what readers are saying about Half Brother:
"It's a brilliant book. I can't say enough great things about it My son (he's 12) read Half Brother in two days. He said it was the best of all your books. I would have to agree!"
"Just finished Half Brother -- stayed up until midnight and hated to put it down, but wrapped it up this aft. What a COOL book. So different from anything else out there. Really made me think.... I like the way you did so much with characterization in this book. Everyone f elt very three-dimensional and real... heartbreakingly so at times.
--Martha Brack Martin
"I just finished Half Brother today with tears streaming down my face. What a great read! So glad I won the ARC. Thanks.
"I finished reading Half Brother and it was one of my favourite books you have written. This is a beautiful story about the value and importance of family. It made me think about what really counts and matters in a person. Your writing keeps evolving and growing. I hope Half Brother receives all the success and praise it deserves.
--Colin, age 19
"I finished the advanced copy of Half Brother you sent. Wonderful! Fantastic writing once again. I won't hesitate to buy copies for my libraries and recommend it to students. A pleasure, as always, to read one of your books. Thanks again and best of luck and much success with this new one!
"I finally had a chance to sit down and read Half Brother (I'd been waiting until I had a couple of days without too much else going on) -- great book! It was both precisely what I'd expect from an Oppel book (well-written, great characters, suspenseful plot, intelligent) and not at all what I'd expect (seems to me that you're charting new directions in your writing?). I was particularly impressed by the complicated mixture of personal (Ben's budding adolescence), political (animal rights) and social (subtle explorations of class struggle and gender relations). Setting it in the early 1970s was also very effective (and not just because it was like a visit to my own boyhood... minus the chimp).
"I thought Half Brother was incredibly awesome. I really didn't know what to expect given that I'm most familiar with your Airborn series, but this was a pleasant surprise. I love how you were able to give the story a teenager's perspective -- a very believable one at that. The relationship between Zan and Ben was so sweet; I especially liked the part where Zan is comforting Ben.... Your book was very honest in the sense that if shows that not everything works out the way you planned, and that you have to be willing to meet in the middle to ensure that it's not only you that will be happy in the end. In sum, your book was refreshing. Thank you for letting me have the chance to read such a great book.
--Ruchita, age 16
Sunday, June 27, 2010
Do you want to join the Half Brother galley tour?
HarperCollins Canada is sending copies of Half Brother on tour across Canada!
HarperCollins is looking forward to getting them back filled with your comments, photos, and anything else that reveals where they have been in their travels.
As you read the book, put sticky notes, photos—whatever you like— on the pages for others to see along the way.
When you’re finished reading, give the galley to a friend. If you're the 10th person to read the galley, mail it back to the contact name in the galley, and HarperCollins will send you a free book (from the genre of your choice) in exchange for any shipping charges you may incur.
Send me a private facebook message before noon on Monday June 28th and you might be the one to kick-off the galley tour!
Friday, June 18, 2010
I am thrilled with the coverage, and delighted to know that "the story will surely be as classy a crowd-pleaser as the Silverwing and Airborn series," but would just like to point out that the main character in the book, Ben Tomlin, is not eight years old, but 13, 14 and 15 through the course of the novel!
More news and info to come as publication date approaches...
Sunday, June 13, 2010
Advance reader reviews are starting to come in, and I'll try to post some of them here...
Tuesday, April 6, 2010
Then his parents brought home a baby chimp.
Ben's father, a renowned behavioral scientist, has uprooted the family to pursue his latest research project: a high profile experiment to determine whether chimpanzees can acquire human language. Ben's parents tell him to treat Zan like a little brother. Ben reluctantly agrees. At least now he's not the only one his father's going to scrutinize.
It isn't long before Ben is Zan's favourite, and Ben starts to see Zan as more than just an experiment. His father disagrees. Soon Ben is forced to make a critical choice between what he is told to believe and what he knows to be true -- between obeying his father or protecting his brother from an unimaginable fate.
Half Brother isn't just a story about a boy and a chimp. It's about the way families are made, the way humanity is judged, the way easy choices become hard ones, and how you can't always do right by the people and animals you love.
Thursday, February 11, 2010
The main character is Giles Barnes, the new kid in the neighbourhood, who is befriended by Tina and Kevin Quark, self-proclaimed geniuses who run their own business, investigating strange occurences. There are ghosts birds, invisible magicians, and maniacal robots.
There are six books in all, the first three of which have just been re-issued, with fabulous eye-catching covers, in Canada by HarperCollins. The next three will be out this May. Often when I visit schools, teachers tell me they never have enough fun reading material for grades 2-4. So I hope these books find homes, and happy readers, in classrooms across the country!